Classical Music online - News, events, bios, music & videos on the web.

Classical music and opera by Classissima

Cecilia Bartoli

Tuesday, July 26, 2016

parterre box

July 21

“Troppo” notte

parterre boxThanks to the generosity of a parterre reader, “Trove Thursday” presents a rare recording from the famed Carnegie Hall series curated by Matthew Epstein to commemorate Handel’s tercentenary: Tatiana Troyanos and June Anderson in Ariodante conducted by Raymond Leppard. For more than 60 years, New York City has been fortunate to host organizations dedicated to showcasing prominent singers performing less-often heard operas in concert. From 1950 to 1970, there was the American Opera Society, and right after its demise Eve Queler founded Opera Orchestra of New York. Each season both groups would feature two or three operas, most often chosen according to the availability (and whim) of its featured stars. However, in the mid-1980s Epstein and Carnegie, partnering with the Orchestra of St. Luke’s, attempted something different—an annual series of operas-in-concert focused on a single singer or composer—or both. The first season featured Marilyn Horne in three serious Rossini operas: a “pirate” recording of the 1982 opening night La Donna del Lago is still available from its posting here last fall. French operas by Offenbach, Thomas and Massenet starring Frederica von Stade followed, while the fourth and final season spotlighted rarely mounted operas by Richard Strauss. Handel’s 300th birthday fell during 1984-1985, and its three programmed masterpieces (with a bonus of Alessandro imported from Stephen Simon’s Handel Festival in Washington, DC) became among the most eagerly awaited events of the season. Horne’s first-ever Orlando opened the series and a recording of it can be found in a “Trove Thursday” posting from February. The legendary Semele with Kathleen Battle, Horne, Rockwell Blake and Samuel Ramey, presented on February 23rd, the actual birthday, was broadcast live on NPR, so recordings of it have always been easy to find. But this stirring Ariodante seemed to disappear, and until I listened to today’s superb-sounding recording I hadn’t heard it since the concert I attended over 31 years ago. Troyanos first sang the demanding title role written for the great castrato Carestini in 1971, replacing Shirley Verrett during the opening weeks of the Kennedy Center. Her wonderfully fresh and eager portrayal opposite a high-flying Beverly Sills was captured by a “pirate” and has long been easily available. Unfortunately, its much-cut and transposed musical edition makes the entire performance an unsatisfactory representation of this great opera. I recall two jarring aspects of that evening at Carnegie in January 1985, both attributable to Troyanos. Ordinarily when a female singer performs a male role in concert, she appears in a chic pants-suit, but Troyanos grandly entered instead in an elaborate concert gown. And while the rest of the cast sang from memory, she often had her head stuck in the score placed on the music stand in front of her. Even with this aid, she still got lost during one of her duets with Anderson madly flipping through the music to find her place! Ariodante remained in her repertoire for several more years; she sang it in Geneva and then at Santa Fe in 1987. Beginning in the early 1980s Troyanos also took on the title role of Handel’s Giulio Cesare (she had already recorded Cleopatra in that immensely lugubrious Karl Richter set years earlier). She performed Cesare in San Francisco, Geneva and in an ill-starred run at the Met opposite Battle. The last time I heard Troyanos in person was in another trouser role: a concert of Mozart’s Mitridate, Re di Ponto at Alice Tully Hall in the summer of 1992, about a year before her tragically premature death. That sadly off-form Farnace is not how I want to remember her. However, this absolutely note-complete Ariodante is a particularly gratifying souvenir of a fascinating artist. This opera’s rewarding title role, recorded by Janet Baker (also with Leppard), Lorraine Hunt Lieberson and Anne-Sofie von Otter, retains its allure for star mezzos. Alice Coote sings it this fall in Toronto in Richard Jones’s Aix production, while Joyce DiDonato who recorded the work in 2010 with the late Alan Curtis returns to it next year for an extended world tour with The English Concert which visits Carnegie Hall in April. And Cecilia Bartoli who has never before sung a Handel hero appears as Ariodante at next June’s Salzburg Pfingsten Festival in a new staging by Christoph Loy. Handel: Ariodante Carnegie Hall 27 January 1985 In-house recording Ginevra: June Anderson Dalinda: Erie Mills Ariodante: Tatiana Troyanos Polinesso: James Bowman Lurcanio: Neil Rosenshein King of Scotland: Dmitri Kavrakos Odoardo: Frank Lopardo Orpheon Chorale Orchestra of St. Luke’s Conductor: Raymond Leppard “Trove Thursday” offerings can be downloaded via the audio-player above. Just click on the icon of a square with an arrow pointing downward and the resulting mp3 file will appear in your download directory. In addition, this Ariodante, last week’s Leonora and all previous fare remain available from iTunes or via any RSS reader.

Meeting in Music

June 12

Bellini: Norma (Bartoli)

Vincenzo Bellini (1801-1836) Norma, Tragic Operas in Two Acts (1831) Cecilia Bartoli, Su Mi Jo, John Osborn, Michele Pertusi, Liliana Nikiteanu, Reinaldo Macias Giovanni Antonini, Orchestra la Scintilla (Period Instruments) Decca 478 3517 (2013) Two disc set [Flac & Scans, PDF Booklet]

The Well-Tempered Ear

February 20

Classical music: Here are the Grammy winners for 2016 in classical music along with the nominations. Some have ties to Madison.

By Jacob Stockinger You might remember that at holiday time, The Ear offered a series of roundups of the best recordings and classical music gifts of the past year. The idea is to use them as holiday gift guides. One of those days was Grammy Day. This past Monday night, the winners of the 58th annual Grammy were announced. The Ear notes that there were a few items of special local and regional interest. The late Twin Cities composer Stephen Paulus, whose works was often commissioned and premiered in Madison by the Festival Choir of Madison and groups at the University of Wisconsin-Madison School of Music , was nominated for several works. And he won in two categories. In addition, producer Judith Sherman, who already has several Grammys to her credit, was nominated again and won again. She is also the producer to the two recordings of the six centennial commissions by the Pro Arte Quartet at the University of Wisconsin-Madison . The last one – with a string quartet by Belgian composer Benoit Mernier and a Clarinet Quintet by Canadian composer Pierre Jalbert – will be released this spring. In addition, violinist Augustin Hadelich (below), who has turned in outstanding and memorable performances with the Madison Symphony Orchestra , received his first Grammy for a recording of the late French composer Henri Dutilleux. Plus, the critically acclaimed Chicago-based record company Çedille (below top), which has celebrated its 25th anniversary and which specializes in Midwest artists as well as unusual repertoire of both old and new music, had several nominations and won a Grammy for a recording of the new music group Eighth Blackbird. Two other superb artists who record for Çedille and have performed in Madison with the Wisconsin Chamber Orchestra are violinists Rachel Barton Pine and Jennifer Koh. Here are all the winners in classical music for the 2016 Grammys. All the nominees are listed and the winners are noted with three asterisks (***): BEST ENGINEERED ALBUM, CLASSICAL ***Ask Your Mama (below): Leslie Ann Jones, John Kilgore, Nora Kroll-Rosenbaum & Justin Merrill, engineers; Patricia Sullivan, mastering engineer (George Manahan & San Francisco Ballet Orchestra) Label: Avie Records Dutilleux: Métaboles; L’Arbre Des Songes (Tree of Dreams); Symphony No. 2, ‘Le Double’: Dmitriy Lipay, engineer; Alexander Lipay, mastering engineer (Ludovic Morlot , Augustin Hadelich & Seattle Symphony) Label: Seattle Symphony Media Monteverdi: Il Ritorno D’Ulisse In Patria : Robert Friedrich, engineer; Michael Bishop, mastering engineer (Martin Pearlman , Jennifer Rivera, Fernando Guimarães & Boston Baroque) Label: Linn Records Rachmaninoff: All-Night Vigil: Beyong Joon Hwang & John Newton, engineers; Mark Donahue, mastering engineer (Charles Bruffy, Phoenix Chorale and Kansas City Chorale ) Label: Chandos Saint-Saëns: Symphony No. 3, ‘Organ’: Keith O. Johnson and Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Michael Stern and Kansas City Symphony) Label: Reference Recordings 73. PRODUCER OF THE YEAR, CLASSICAL Blanton Alspaugh: • Hill: Symphony No. 4; Concertino Nos. 1 & 2; Divertimento (Peter Bay, Anton Nel & Austin Symphony Orchestra ) • Rachmaninoff: All-Night Vigil (Charles Bruffy, Phoenix Chorale & Kansas City Chorale) • Sacred Songs Of Life & Love (Brian A. Schmidt & South Dakota Chorale) • Spirit Of The American Range (Carlos Kalmar & The Oregon Symphony) • Tower: Violin Concerto; Stroke; Chamber Dance (Giancarlo Guerrero, Cho-Liang Lin & Nashville Symphony) Manfred Eicher: • Franz Schubert (András Schiff) • Galina Ustvolskaya (Patricia Kopatchinskaja, Markus Hinterhäuser & Reto Bieri) • Moore: Dances & Canons (Saskia Lankhoorn) • Rihm: Et Lux (Paul Van Nevel, Minguet Quartet & Huelgas Ensemble) • Visions Fugitives (Anna Gourari) Marina A. Ledin, Victor Ledin: • Dances For Piano & Orchestra (Joel Fan, Christophe Chagnard & Northwest Sinfonietta) • Tempo Do Brasil (Marc Regnier) • Woman At The New Piano (Nadia Shpachenko) Dan Merceruio: • Chapí: String Quartets 1 & 2 (Cuarteto Latinoamericano) • From Whence We Came (Ensemble Galilei) • Gregson: Touch (Peter Gregson) • In The Light Of Air – ICE Performs Anna Thorvaldsdottir (International Contemporary Ensemble) • Schumann (Ying Quartet) • Scrapyard Exotica (Del Sol String Quartet ) • Stravinsky: Petrushka (Richard Scerbo & Inscape Chamber Orchestra) • What Artemisia Heard (El Mundo) • ZOFO Plays Terry Riley (ZOFO) ***Judith Sherman: • Ask Your Mama (George Manahan & San Francisco Ballet Orchestra) • Fields: Double Cluster; Space Sciences (Jan Kučera, Gloria Chuang & Moravian Philharmonic Orchestra ) • Liaisons – Re-Imagining Sondheim From The Piano (Anthony de Mare) • Montage – Great Film Composers & The Piano (Gloria Cheng) • Multitude, Solitude (Momenta Quartet) • Of Color Braided All Desire – Music Of Eric Moe (Christine Brandes, Brentano String Quartet, Dominic Donato, Jessica Meyer, Karen Ouzounian, Manhattan String Quartet & Talujon) • Rzewski: The People United Will Never Be Defeated! (Ursula Oppens) • Sirota: Parting The Veil – Works For Violin & Piano (David Friend, Hyeyung Julie Yoon, Laurie Carney & Soyeon Kate Lee) • Turina: Chamber Music For Strings & Piano (Lincoln Trio) BEST ORCHESTRAL PERFORMANCE Bruckner: Symphony No. 4: Manfred Honeck, conductor (Pittsburgh Symphony Orchestra ) Label: Reference Recordings Dutilleux: Métaboles; L’Arbre Des Songes; Symphony No. 2, ‘Le Double’: Ludovic Morlot, conductor (Seattle Symphony) Label: Seattle Symphony Media ***Shostakovich: Under Stalin’s Shadow – Symphony No. 10 (below): Andris Nelsons, conductor (Boston Symphony Orchestra ) Label: Deutsche Grammophon Spirit Of The American Range: Carlos Kalmar, conductor (The Oregon Symphony) Label: Pentatone Zhou Long and Chen Yi: Symphony ‘Humen 1839’: Darrell Ang, conductor (New Zealand Symphony Orchestra ) Label: Naxos BEST OPERA RECORDING Janáček: Jenůfa: Donald Runnicles, conductor; Will Hartmann, Michaela Kaune & Jennifer Larmore; Magdalena Herbst, producer (Orchestra Of The Deutsche Oper Berlin; Chorus Of The Deutsche Oper Berlin) Label: Arthaus Monteverdi: Il Ritorno D’Ulisse In Patria: Martin Pearlman, conductor; Fernando Guimarães & Jennifer Rivera; Thomas C. Moore, producer (Boston Baroque) Label: Linn Records Mozart: Die Entführung Aus Dem Serail: Yannick Nézet-Séguin, conductor; Diana Damrau, Paul Schweinester & Rolando Villazón; Sid McLauchlan, producer (Chamber Orchestra Of Europe) Label: Deutsche Grammophon ***Ravel: L’Enfant Et Les Sortilèges; Shéhérazade (belw): Seiji Ozawa, conductor; Isabel Leonard; Dominic Fyfe, producer (Saito Kinen Orchestra; SKF Matsumoto Chorus & SKF Matsumoto Children’s Chorus) Label: Decca Steffani: Niobe, Regina Di Tebe: Paul O’Dette & Stephen Stubbs, conductors; Karina Gauvin & Philippe Jaroussky; Renate Wolter-Seevers, producer (Boston Early Music Festival Orchestra) Label: Erato BEST CHORAL PERFORMANCE Beethoven: Missa Solemnis: Bernard Haitink, conductor; Peter Dijkstra, chorus master (Anton Barachovsky, Genia Kühmeier, Elisabeth Kulman, Hanno Müller-Brachmann & Mark Padmore; Symphonieorchester Des Bayerischen Rundfunks; Chor Des Bayerischen Rundfunks) Label: BR Klassik Monteverdi: Vespers Of 1610: Harry Christophers, conductor (Jeremy Budd, Grace Davidson, Ben Davies, Mark Dobell, Eamonn Dougan & Charlotte Mobbs; The Sixteen) Label: Coro Pablo Neruda – The Poet Sings: Craig Hella Johnson, conductor (James K. Bass, Laura Mercado-Wright, Eric Neuville & Lauren Snouffer; Faith DeBow & Stephen Redfield; Conspirare) Label: Harmonia Mundi Paulus: Far In The Heavens: Eric Holtan, conductor (Sara Fraker, Matthew Goinz, Thea Lobo, Owen McIntosh, Kathryn Mueller & Christine Vivona; True Concord Orchestra; True Concord Voices) Label: Reference Recordings ***Rachmaninoff: All-Night Vigil (below): Charles Bruffy, conductor (Paul Davidson, Frank Fleschner, Toby Vaughn Kidd, Bryan Pinkall, Julia Scozzafava, Bryan Taylor & Joseph Warner; Kansas City Chorale & Phoenix Chorale) Label: Chandos BEST CHAMBER MUSIC/SMALL ENSEMBLE PERFORMANCE Brahms: The Piano Trios: Tanja Tetzlaff, Christian Tetzlaff & Lars Vogt. Label: Ondine ***Filament (below and in a YouTube video at the bottom): Eighth Blackbird. Label: Cedille Records Flaherty: Airdancing For Toy Piano, Piano & Electronics: Nadia Shpachenko & Genevieve Feiwen Lee. Track from: Woman At The New Piano. Label: Reference Recordings Render: Brad Wells & Roomful Of Teeth. Label: New Amsterdam Records Shostakovich: Piano Quintet & String Quartet No. 2: Takács Quartet & Marc-André Hamelin. Label: Hyperion BEST CLASSICAL INSTRUMENTAL SOLO ***Dutilleux: Violin Concerto, L’Arbre Des Songes (below): Augustin Hadelich; Ludovic Morlot, conductor (Seattle Symphony) Track from: Dutilleux: Métaboles; L’Arbre Des Songes; Symphony No. 2, ‘Le Double’ Label: Seattle Symphony Media Grieg & Moszkowski: Piano Concertos: Joseph Moog; Nicholas Milton, conductor (Deutsche Radio Philharmonie Saarbrücken Kaiserslautern) Label: Onyx Classics Mozart: Keyboard Music, Vol. 7: Kristian Bezuidenhout. Label: Harmonia Mundi Rachmaninov Variations: Daniil Trifonov (The Philadelphia Orchestra) Label: Deutsche Grammophon Rzewski: The People United Will Never Be Defeated! Ursula Oppens (Jerome Lowenthal). Label: Cedille Records photo BEST CLASSICAL SOLO VOCAL ALBUM Beethoven: An Die Ferne Geliebte; Haydn: English Songs; Mozart: Masonic Cantata: Mark Padmore; Kristian Bezuidenhout, accompanist. Label: Harmonia Mundi ***Joyce & Tony – Live From Wigmore Hall: Joyce DiDonato; Antonio Pappano, accompanist. Label: Erato Nessun Dorma – The Puccini Album. Jonas Kaufmann; Antonio Pappano, conductor (Kristīne Opolais, Antonio Pirozzi & Massimo Simeoli; Coro Dell’Accademia Nazionale Di Santa Cecilia; Orchestra Dell’Accademia Nazionale Di Santa Cecilia) Label: Sony Classical Rouse: Seeing; Kabir Padavali: Talise Trevigne; David Alan Miller, conductor (Orion Weiss; Albany Symphony) Label: Naxos St. Petersburg: Cecilia Bartoli; Diego Fasolis, conductor (I Barocchisti) Label: Decca BEST CLASSICAL COMPENDIUM As Dreams Fall Apart – The Golden Age Of Jewish Stage And Film Music (1925-1955): New Budapest Orpheum Society; Jim Ginsburg, producer. Label: Cedille Records Ask Your Mama: George Manahan, conductor; Judith Sherman, producer. Label: Avie Records Handel: L’Allegro, Il Penseroso Ed Il Moderato, 1740: Paul McCreesh, conductor; Nicholas Parker, producer. Label: Signum Classics ***Paulus: Three Places Of Enlightenment; Veil Of Tears & Grand Concerto (below): Giancarlo Guerrero, conductor; Tim Handley, producer. Label: Naxos Woman At The New Piano: Nadia Shpachenko; Marina A. Ledin & Victor Ledin, producers. Label: Reference Recordings BEST CONTEMPORARY CLASSICAL COMPOSITION Barry: The Importance Of Being Earnest: Gerald Barry, composer (Thomas Adès, Barbara Hannigan, Katalin Károlyi, Hilary Summers, Peter Tantsits & Birmingham Contemporary Music Group) Label: NMC Recordings Norman: Play: Andrew Norman, composer (Gil Rose & Boston Modern Orchestra Project) Track from: Norman: Play. Label: BMOP/Sound ***Paulus: Prayers & Remembrances (below): Stephen Paulus, composer (Eric Holtan, True Concord Voices & Orchestra). Track from: Paulus: Far In The Heavens. Label: Reference Recordings Tower: Stroke: Joan Tower, composer (Giancarlo Guerrero, Cho-Liang Lin & Nashville Symphony). Track from: Tower: Violin Concerto; Stroke; Chamber Dance. Label: Naxos Wolfe: Anthracite Fields: Julia Wolfe, composer (Julian Wachner, The Choir Of Trinity Wall Street & Bang On A Can All-Stars) Label: Cantaloupe Music Tagged: Arts , Augustin Hadelich , Baroque , Beethoven , Belgium , Berlin , Bernard Haitink , Boston , Boston Symphony Orchestra , Brahms , Bruckner , Canada , Cecila Bartoli , Cedille , Cello , Chamber music , Chandos , China , Chinese composers , Chinese music , choral music , Chorale , Classical music , Compact Disc , concerto , Decca , Deutsche Grammophon , divertimento , Dutilleux , Early music , eighth blackbird , English , French-Canadian , Grammy , Grieg , Handel , Harmonia Mundi , Haydn , Hyperion , Jacob Stockinger , Janacek , Joan Tower , Johann Sebastian Bach , Joyce DiDonato , Kansas City , Ludwig van Beethoven , Madison , Marc-André Hamelin , Mark Padmore , Monteverdi , Mozart , Music , Nashville , Naxos , opera , Orchestra , organ , Ozawa , Phoenix , Piano , Piano Quintet , Piano Trio , Pittsburgh Symphony Orchestra , Pro Arte Quartet , Puccini , quintet , Rachmaninoff , Rachmaninov , Ravel , Rm , Rolando Villazon , Saint-Saens , Schubert , Schumann , Seattle , Shostakovich , Sonata , songs , Stephen Paulus , Stravinsky , String quartet , symphony , Takacs Quartet , Terry Riley , trio , United States , University of Wisconsin-Madison School of Music , University of Wisconsin–Madison , Violin , vocal music , Wisconsin , Wisconsin Chamber Orchestra , YouTube

Cecilia Bartoli

Cecilia Bartoli (June 4, 1966 in Rome) is an Italian mezzo-soprano opera singer and recitalist. She is best-known for her interpretation of the music of Mozart and Rossini, as well as for her performances of lesser-known Baroque and classical music. She is known for having the versatility to play both soprano and mezzo roles, and is sometimes considered a soprano with a low tessitura. Bartoli's coloratura skill has earned her the title the Queen of Agility.

[+] More news (Cecilia Bartoli)
Jul 23
Topix - Opera
Jul 21
parterre box
Jun 17
Norman Lebrecht -...
Jun 12
Meeting in Music
Jun 7
Norman Lebrecht -...
Jun 7
Wordpress Sphere
Jun 5
Norman Lebrecht -...
Jun 4
parterre box
Jun 1
My Classical Notes
May 16
Norman Lebrecht -...
Apr 21
Wordpress Sphere
Apr 10
Topix - Classical...
Mar 12
Wordpress Sphere
Feb 20
The Well-Tempered...
Feb 10
ArtsJournal: music
Feb 10
Norman Lebrecht -...
Feb 8
Wordpress Sphere
Feb 1
Wordpress Sphere
Jan 28
Norman Lebrecht -...
Jan 21
parterre box

Cecilia Bartoli

Bartoli on the web...

Sacrificium - Cecilia Bartoli

 Interview [EN]


Sacrificium - Cecilia Bartoli

Cecilia Bartoli »

Great opera singers

Maria Malibran Mozart Rossini Ave Maria Caro Mio Ben Cenerentola Sonnambula Sospiri

Since January 2009, Classissima has simplified access to classical music and enlarged its audience.
With innovative sections, Classissima assists newbies and classical music lovers in their web experience.

Great conductors, Great performers, Great opera singers
Great composers of classical music

Explore 10 centuries in classical music...